Bonjour, c'est moi.

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Your average Canadian soprano sallies forth into the big bad world of classical music in search of integrated, meaningful experiences as a performer and spectator. Currently in Baltimore, MD, pursuing a Masters degree in voice performance under the tutelage of Phyllis Bryn-Julson. Special interest in contemporary and experimental classical music, as well as interdisciplinary projects.
Showing posts with label camera. Show all posts
Showing posts with label camera. Show all posts

09 October 2009

two heads are better than one, I think.


I have weekly Friday afternoon dates with myself.
The Castello Sforzesco Museums, or Musei Civici, are free on Friday afternoons, and they are glorious. You can walk through room after room of ancient Lombardian ruins, Lombardian Renaissance sculpture, and finish at the last sculpture Michelangelo ever worked on, the Rondanini Pietà; you can wander the art gallery and take in the view of the courtyard from the windows; and right now, you can ogle photographs and prints from the original produciton of Madama Butterfly in an exhibit devoted to the opera and guarded by a 400-foot-tall, weeping Cio-Cio San (picture coming).
Or, if the mood strikes and the weather is good, you can just wander the grounds and take in the castle as a sight in itself. It is rather majestic; it's laid out in a large square and fronted by an enormous piazza. In back, Parco Sempione stretches far into the northeast of Milan; previously all that land belonged to the Sforze, who, I suppose, were rich on a Medici scale. The buildings themselves encircle a spacious courtyard and comrise several turrets, a fortress, and a large, imposing central tower.
One of these days I will post pictures. The camera saga ended with me picking up my camera and getting my dad to scour Walmart for an extremely cheap alternative. Consumerism, obsolescence and The Man: one. Danielle's social consciousness: zero.
Anyway, this particular day, I was at the museum in the art gallery alone.
Alone is something I never thought I minded until I came here. I really only mind it sometimes. In fact, I only mind it when I think too much about it.
I really enjoy being alone, so much so that I feared I wouldn't even bother trying to achieve any sort of social life while I was here; I love living alone (I don't here) and eating alone (at home), and I love going to concert, movies, and cafes by myself, and I actively seek out places like libraries and museums where I can move amongst the fixtures and lose myself in my thoughts. Sure, I look at the stuff, but it's like knitting: you occupy your mind with something gross-motor-ish to do so it can abstract itself from reality and figure crap out.
Not that that is why I go to museums -- in fact, I am an avid learner and I like to read all the panels. I really appreciate well-curated collections. But sometimes art or carpets or dead people's stuff can be useful in this way as well. I could never go to a museum and brain-knit with a companion.
Anyway, I, who normally do not mind being alone, mind it here. It's the extremely social aspect of the culture that is a painful reminder of my solitary status. Itlaians travel in packs, and tourists tend to travel in two's, usually lovey-dovey two's; I look twice when I see someone else silently wandering around, because it is so rare. I am still shy about sitting down for a coffee alone here; at home, I have no problem getting my drink at the counter and disappearing into a chair at Second Cup for an hour or two. Maybe it is the lack of anonymity in general that makes it impossible to escape from scrutiny. You have to own up to being alone, because interactions are more personal. But isn't that a good thing? Isn't that what I wanted, or at least part of it?
Also, there are no benches. Because I am too shy to plop down at a table by myself for a coffee, when I have a half hour to kill before a meeting or a concert I am forced to keep walking, walking, walking, until I find a park (few and far between) or enough time has passed. I miss roadside benches.
But you know, sometimes it's nice to be alone. I had a rough day at work and I came to the museum searching for something to evoke a reaction in me, to help the bad mood pass. I guess I wasn't too open to that today. But there is always next Friday.

28 September 2009

Camera Woes



I mentioned earlier that I currently am camera-less, and have been since Vignola, which was quite early in my trip. I had used my camera one day to take some photos of the countryside where I was walking, and everything was fine. Later that same day I turned it on to take a photo with a friend, and the lens wouldn't extend properly. I continually got a message to turn it off and on again, and nothing I tried would make it work again. I kept my eyes peeled for camera shops, but I was in the desert of small-town Italy and camera shops were water. Not even Perugia had one.
When I got to Milano and moved to my apartment, one of the first things I did was find out where to get the camera fixed. I went in to DARTY which is like Future Shop, but French and you can also buy a travel hairdryer for 6 euro, and asked at the camera desk. The girl there was very helpful and gave me an extensive but not exhaustive list of the Sony stores in Milano. I had to call three or four numbers before I got an answer, and they gave me another number to call, where I would theoretically reach the "laboratory": that is, where repairs are done.
Fine. I call. I find out where they are. I set aside a day to go. A few days, a subway ride across town, a 15-minute bus ride, several wrong turns, and a 25-minute walk later, I have arrived. I take a number, as you do at any store/bank/post office here, and settle in for the wait.
When my number is called, I'm told that because my camera is Canadian, its warranty isn't valid here (that sounds so familiar...) I have to pay 15 euro to have it looked at, and then any repairs they do will first be run by me, then done if I agree to the price.
Great. That was the 17th. Today is the 27th and I still had heard nothing. I picked up the phone to call and had to dial a few numbers before I finally got a very quiet, faraway voice -- I had to ask a few times whether I had the right number. She sounded a bit annoyed, but put me through to the right department anyway. Turns out they never had any intention of calling; good thing I did -- the looking-at was done and the figure I was quoted was NINETY-FIVE EURO (yes, 95) to replace the lens.
Now.
I am pretty sure there is a less expensive, invasive, or thorough way to fix the problem. So I told the guy I was going to think about it and call him back.
I've been thinking about it and trying to pinpoint why it is that I don't just trust that the problem truly is only fixable by replacing the lens. Is it because I wasn't offered any explanations about the mechanics of the problem? If I were in Canada, speaking ENglish, I would have no trouble or shame asking, "What exactly is wrong? Can you explain why the part isn't reparable?" I either don't have the capacity or the nerve to do so in Italian, and maybe I am afraid I won't understand the response. Or is it because I just don't trust the guy behind the desk who knows I am a foreigner? It's really disempowering, in a way, to be identified as "not from these parts"; you question everything, because you hear so many stories about the way foreigners get taken advantage of.
Anyway. The big problem here is what to do. WHen I am in a situation like this I always ask, What Would My Dad Do? I know for sure he would not pay 95 euro for a camera lens. He'd march in there and ask some questions. Then he'd stay there until he got some answers. Then ... well, I haven't gotten that far yet. I just know it doesn't end with me paying almost 100 euro to Livolsi Assistenza Tecnica!

I am appending some of the last photos taken with my precious Sony... a moment of silence, please...

PS. I wore my sandals today.

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