Bonjour, c'est moi.

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Your average Canadian soprano sallies forth into the big bad world of classical music in search of integrated, meaningful experiences as a performer and spectator. Currently in Baltimore, MD, pursuing a Masters degree in voice performance under the tutelage of Phyllis Bryn-Julson. Special interest in contemporary and experimental classical music, as well as interdisciplinary projects.

12 February 2010

the best of all possible worlds?

On one of my very cold days in Berlin, I participated in the Lange Nacht das Museen, and one of the museums I went to on my unlimited ticket was the Deutsche Guggenheim. The Deutsche Bank does a lot of purchasing, and it was a very interesting museum for this reason. They had a special exhibit on utopian laboratories, as the curator called them -- art that either embodied a utopian ideal or sprang from an artistsì colony, or a society, that was built upon these principles, and for whatever reason (nazis closed it down, it was the soviet union, etc etc), "failed", or as the curator puts it, simply ended. The article is interesting, and I am going to reproduce it or find it on the internet so that you may read it if it interests you as well, but I'll highlight a couple of points that resonated with me. It was interesting that both the curator (Vivien Greene of the Guggenheim i nNY) and her interviewer, Susan Cross, herself an art historian and curator, noted that the Internet is both providing opportunities for utopian reality, perhaps nowhere so obviously as Second Life, the online alternate world complete with economy and government, but that these possibilities are being misused: instead of reinventing or transforming their reality to achieve the utopian life they crave, people replicate what they know elsewhere -- for example, in Second Life they may buy the big house in the city that they cannot own in real life, but this is still playing into the capitalist model.
I find this interesting especially after a visit to the Wagenhausen in Freiburg, where people are living literally in caravans without electricity, heat, water, internet, and all the other comforts of life, to try to live in harmony with nature and with other people as much as possible. The concept was interesting but I have to say I was shocked upon visiting, though I consider myself pretty open-minded. Just how far is too far, in search of some other life than the one that we have, which can be so unfulfilling at times?

Or -- completely fulfilling. I am writing this from the Paris airport at the end of the 6-month journey that our globalized society permits a person of some means to take. I am grateful for this, truly, because now I know how much knowledge and experience one might forsake in pursuit of a non-impact or less consumerist lifestyle. There are battles to be picked.

I shall have to recount the torturous tale of getting home in my next entry, which will be soon now that my internet will be reliable 24/7 (Imagine!! A life without 24/7 internet?!) But for now I will say how happy I am to be returning to my home.

31 January 2010

becoming friends with berlin

For the first while, as I trudged around icy and snow-laden Berlin, staring up at enormous, boxy edifices that are miles apart, and looking acorss squares a kilometre in area, I asked myself, "What is it about Berlin that I am missing?"
Because Berlin is one of the world's top tourist destinations, at least in my age group. There had to be something I wasn't seeing.
Each thing I do here, though, gives me a glimmer of what that is. It turns out Berlin is just playing hard to get -- a lot like Toronto, actually, in that a first impression of Toronto isn't always dazzling, but once you get to know the city you realize just how much it has to offer.
Last night was a Nuit Blanche of sorts - all of the museums and many other attractions were open and accessible on one (cheap) ticket. I saw the Dom, the Guggenheim, and the Musical Instruments museum, where they were showing silent films with a man playing a historically accurate organ as accompaniment. Berlin is full of incredible museums and galleries; I wish I could have seen more.
Tomorrow I leave for Freiburg, where I hope to frolic in the Black Forest and spend some time with a new friend, a fellow singer I met in Arezzo. She's Texan! I think my hosts live in the hippie commune near Freiburg so I will get a chance to see exactly how green I can handle my life...

30 January 2010

Ich bin ein donut!

The dust has settled a little and I have a few minutes to write something.
I arrived here on a train from Den Haag -- it still amazes me that only 6 hours can pass and I am in a different country -- on Wednesday, and was greeted by a Canadian blizzard that had decided to holiday in Germany this year. The next day was already a million times better, however, and I got the chance to wander around the core for a first glance at Berlin and see the New Museum, which has just been reopened following post-war renovations. I did spend about an hour wandering around looking for the music school at which I had an audition today (for the Britten Pears program) - Berlin is just SO BIG that it takes you forever to walk around buildings and get from one block to the next. Moreover, you never run into anyone -- the city appears empty because it is so spread out. Also, the buildings in their Cold War splendour rise up around you like humungous building blocks. It's an intimidating city.
I can't say just yet that it's my absolute favourite. There hasn't been a spark for me with Berin just yet, though I approached one viewing the information at Checkpoint Charlie and the markings showing the former location of the Wall. It more just makes me heart hurt than anything, though, that this city is so full of pain and suffering in its history, and the tourist attractions are basically grim recollections and testaments as if the inhabitants of the city have resigned themselves to reliving the horror each day so that it will never be repeated. I'm not saying that all tourist attractions are sunshine and rainbows, and certainly Italy has its share of pain and suffering in its history too, and many, many other countries, but this city has a different flavour. Maybe because the Wall fell in recent history, the atmosphere of the time still lingers in the air.
One thing I can say about Berlin -- opera, opera, opera!!! Literally -- there are three houses. I took my couchsurfing host to his first opera tonight -- Lohengrin (everyone marvel at the courage of this first-timer to take on such a beast as that). Ben Heppner sang the lead but I was also blown away by Ortrud, played by Waltraud Meier. She got the biggest shout outs from the audience, too.
I'm spending the weekend here and I have an evening train to Freiburg on Monday. I'll be pleased to leave the snow but I know that I will be leaving Berlin with the intention of coming back.

25 January 2010

I'm in Holland!

Forgive me. My internet access is dubious at best these days as I city-hop and roam for unsecured connections. Updates are therefore going to be a bit spotty, and in the case of this one, a little more uninspired, though there is much to be inspired about. It's more a question of time.

I stepped off the train in Amsterdam yesterday and nearly cried. What a shock after the terracotta and whitewash of Italy. The architecture of Holland, after so long on the peninsula, seems exotic to me, and the flavour of the city is significantly late 17th and early 18th century, and smacks of the affluence the Dutch bourgeoisie enjoyed at that time. Holland was incredibly successful on the international markets and culture thrived; there is no shortage, surely, in Amsterdam.

I find myself now in the Hague for a couple of days, which is a city of smaller proportions but great international importance. The Peace Palace against the sky at dusk takes your breath away. The city is home to over 100 other international organizations, as well as the Dutch Parliament, and the city centre is full of gorgeous 18th century buildings.

The snow has stopped so it has been truly enjoyable to walk and gawk. Tomorrow I tour the Conservatory and meet some teachers -- the fun begins!

Pictures will come.

Postscript:
Remember the shoe drama of Italy? Well, I think I have learned my lesson... NEver buy Italian shoes if you're made for comfort, not fashion. The only shoes I ever bought in Italy gave me grief. I have either extreme strain, a stress fracture, or arthritis in my right big toe on account of the boots I wore all fall and winter... and they were good boots. They are living with my Milanese family now... good riddance.

15 January 2010

I think a post every other day is a much more reasonable resolution..

I head off on my epic adventure tomorrow, so I thought I would post my itinerary in case anyone was curious or had TIPS or THINGS TO DO so that they can live vicariously through me.

16-18 Jan -- Arezzo
19-22 Jan -- Avellino
23 Jan -- Amsterdam
24-27 Jan -- The Hague
27-30???31???? Jan -- Berlin
end of Jan -- 5 Feb -- Koln, Mannheim, Heidelberg, Freiburg
5 Feb - 10 Feb -- Basel, Genève, Lausanne (with detour to French countryside)
10 Feb - 12 Feb -- Berlin

I come home with great pomp and ceremony (that's a lie) on 12 Feb and arrive in the late afternoon. I leave shortly thereafter for Baltimore to do an audition at Peabody Conservatory, and then I spend a week in Toronto before a few days at Bard College, where I am auditioning for their Masters in Vocal Arts.

On my epic adventure I have several teachers to meet for lessons, schools to see, and operas to attend, but part of it is soaking in the atmosphere of a place. With the exception of Berlin, where I have auditions and will thus be staying in a hotel, I want to couchsurf with people who are actually living in that city and can help me get a sense of what it's like.
So if you have any friends, let a girl know.

I can't wait to unleash my three sentences of German on their unsuspecting populace... they will never know what hit them.

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