New outlets for opera?

Media, media, media.

To an artist, it means so many things. It can refer to our modes of expression -- visual media, electronic versus acoustic music -- or more readily, television, newspapers, radio, and all those other outlets that bring us publicity and exposure, criticism and accolades, and more recently, artistic possibilities. We've been creating for TV and radio for a long time. Now, with the youtube symphony orchestra behind us, it's easier to imagine creating art and music via web.

It's recently been brought to my attention that artists have begun to move in that direction with the help of the online alternative universe, Second Life. A band that I was researching appears to use Second Life to access audiences around the world, people that might not ever get the chance to come and hear them, or, for that matter, discover them. They take a line out of their real-life studio and basically create a webcast, which is not really a new idea because it's a lot like radio. In Second Life, the music that the community is hearing is being played by real people but also, simultaneously, their Second Life avatars, on a Second Life stage, and the audience is made up of the real people who are listening, and also their avatars. Two universes exist at once, and the venue is the Internet, so that the audience, which has bodies, unlike a radio audience, can be made up of people who are sitting in their living rooms in Cameroon, Egypt, Manitoba, and New Zealand, all at the same time. So it's a whole new level that is added to the performance, and it's mindblowing.

The implications are endless. Think of the possibilities. An entire company of operatic avatars simultaneously online to partake in a performance of Verdi's Requiem -- Jonas Kaufmann singing into his microphone from Zurich while the concertmaster saws away in Mannheim, and Levine conducts into a camera from his Manhattan apartment that broadcasts to each artist - and I can be there, in avatar form, to see their avatar forms make it happen. And isn't it only a matter of time before talent scouts, agents, and publicists begin exploiting online communities like Second Life? I think they probably do already, to some extent -- Facebook is a testament to that. But Second Life goes way beyond Facebook.

Does it scare you? I'm a bit of a Luddite, and it does scare me, a lot, actually. But I think that in order to survive in this fairly hostile artistic environment (or at least that is how I see it), you have to carve out a niche, and if all the real life niches are taken, why not carve out a virtual one?

It may not be for everyone. In fact, it may not be for me. A Met broadcast in HD leaves something to be desired for me; you just cannot beat being there.

But it's a thought.